Trying to Reach Palestine
I found my father’s house waiting for us, in its defiant, embracing grandeur.
Review: “Is It So?”
This book is not only a work of literature, but also a companion to the world of possibilities within each of us.
Featured Fiction: Jennifer Haigh
We’re honored to showcase Jennifer Haigh’s short story Citizen, with Introduction by John Fulton.
Featured Poet: Nidia Hernández
We’re proud to bring you the poems of writer and editor Nidia Hernández, introduced by Askold Melnyczuk.
Baby Blue On Baby Blue
I wonder why I didn’t feel bad. I wonder why I didn’t feel anything.
Unexpected Magnitudes: On David Rivard’s “Some of You Will Know”
Rivard has a genius for knowing when emotion is in danger of turning into emoting.
Transforming Trauma Through Writing
Our workshop had given them permission to feel their emotions again.
We Have Other Plans: Review
In their two most recent collections, Graham and Mayer showcase their talent in poems that feel alive, fragile, endangered, profuse.
Featured Fiction: Jonny Baltazar Lipshin
We’re honored to showcase our first featured fiction, with the story Frogtown. Introduction by John Fulton.
Featured Poet: Sarah Chayes
This issue highlights the poems of award-winning journalist Sarah Chayes, introduced by Askold Melnyczuk.
Tell me Something Good
I hated to leave public radio. It was a beautiful place. But leave me, it did.
Venetian Lion: on Joseph Brodsky
After Brodsky’s death, his beloved Venetian lions stand as silent witnesses and guardians of his poetry.
The Poet & the Fiddler: A Musing on Seamus Heaney
The Given Note’s mournful spirit would certainly have been in the air when the poem was read at Heaney’s funeral.
Masks and Condoms
I have been thinking a lot about masks and condoms and consent, living through both a pandemic and a teenage daughter.
Report from Ukraine, 2023
Death for us is no longer an abstract word. It is not something beyond your doors.
What With This Speedy World And All?
We are living through the most massive shift in human history.
Review: Motherfield
Cimafiejeva considers what happens when language is under such intense political pressure that it collapses.